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Chloë
on "LAST CALL with Carson Daly" (Posted
March 9th, 2004) Chloë Sevigny will appear on LAST CALL with Carson Daly. The show was taped in New York on the evening of March 2nd at the NBC Studios, Mezzanine level, 30 Rockefeller Plaza in New York, NY (sorry about the late news and sorry to all you New York Chloë fans who might have gotten the chance to see the taping live). Fortunatly, it's not too late to watch the taped show. It will appear this Friday, March 12, 2004. Snoop Dogg will also be appearing. Comedy from Russ Meneve, tunes from the best houseband ever Rober Randolf and the Family Band, a song from John Ondrasik and Five for Fighting (we will post Chloë's entire appearance in our Video Clips section this weekend). |
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Falco, Chloë Sevigny Cross
Over to 'Will & Grace' (Posted
March 2nd, 2004) |
 Chloe Sevigny is featured in USA WEEKEND Magazine's 10/26
issue. (Posted October
22nd, 2003)She talks about her new movie, Shattered Glass, gives her thoughts on fashion and who inspired her to dress differently. Check your local newspaper for your own copy or visit usaweekend.com. On fashion Sevigny says, "It's the way people put themselves together that fascinates me. I love seeing people's looks. I like to see something a bit off, or something that looks funny. I appreciate people who break the rules." (you can find USA WEEKEND Magazine in nearly 600 newspapers each week) |
DKNY PRESENTS "VANITY FAIR IN CONCERT" TO BENEFIT STEP UP WOMEN'S NETWORK (Posted September 21st, 2003) Show your support for Step Up Women's Network by attending Vanity Fair In Concert on Monday, October 6, 2003. The event features Sheryl Crow, Deborah Harry, Chris Stein, Mya and more! Hosted by Natalie Portman and Chloë Sevigny with DJ Mark Ronson, DJ Sky, and more! Located at Hammerstein Ballroom, New York.. SPECIAL PRESALE FOR STEP UP MEMBERS ONLY STARTED WEDNESDAY, SEPTEMBER 10TH - TICKETS JUST $55 DURING PRESALE. GENERAL ONSALE STARTED SATURDAY, SEPTEMBER 13TH - TICKETS JUST $65. Please show your support and buy your ticket at www.ticketmaster.com Step Up Women's Network is a nonprofit, membership organization dedicated to strengthening community resources for women and girls. Through hands-on community service, mentoring, and fundraising for women's health and critical issues, Step Up educates and activates its membership to ensure that women and girls have the tools they need to create a better future. For more information, log on to www.stepupwomensnetwork.org. This is the 2nd Annual concert series to benefit Step Up Women’s Network. Created to bring Vanity Fair’s highly anticipated November Music Issue to life, the “Vanity Fair In Concert” program combines music, charity and celebrity, with the cutting edge of the music entertainment world. (Partners: DKNY, Comedy Central, Citysearch, Supermarket Events, Jet Blue, Dove Chocolate, Budweiser, Best Buy |
Monday, October 6, 2003 Hammerstein Ballroom At the Manhattan Center 311 West 34th Street New York, NY   |
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New
York premiere of the indie film "Party Monster" (Posted
September 7th, 2003) The film stars MACAULAY CULKIN as Mr. Alig; SETH GREEN as his good friend JAMES ST. JAMES (who would later write a book about the case); WILMER VALDERRAMA of "That 70's Show" and CHLOË SEVIGNY. Also in the crowd, looking as if they had walked into the wrong party: ANNE HATHAWAY, who had starred in "The Princess Dairies" with JULIE ANDREWS, wearing a white trench coat buttoned to the neck; RACHAEL LEIGH COOK, who had been in "Josie and the Pussycats," in a tailored black leather jacket; NATASHA LYONNE in a low-cut top and a high-cut skirt; and Ms. Sevigny in an elegant black MICHAEL KORS cocktail dress, her blond hair long and straight. Ms. Sevigny, however, said making the movie felt "eerily familiar" because in the 90's she had been part of the scene. "I was going out to Limelight in '92,'3,'4,'5 and the Tunnel and Club USA and I knew Angel and Michael and James and all the club kids. I was really low on the food chain, you know, but all my roommates actually worked the door." Several club kids of the era had cameos in the movie. They gathered together at the United Artists Theater in Chelsea for the premiere, giving the screening the feeling of a class reunion filtered through a Warholian dream: There was a man dressed like a character from "A Clockwork Orange." We also saw Mr. St. James, whose head was shaved and who wore black eyeliner, gold nail polish and a suit shot with silver. He said he still communicates with Mr. Alig, who is in prison. Inside the theater, there were several members of "That 70's Show," who had come to cheer on Mr. Valderrama, and MILA KUNIS, Mr. Culkin's girlfriend. NYTIMES |
| Toronto
Film Festival: Graydon Carter Celebration (Posted September 7th, 2003) VANITY FAIR and the Holt Renfrew retail store celebrates editor Graydon Carter during the Toronto Film Festival on Sept. 9. An entire street will be closed for this exclusive, red-carpet "Oscar-style" bash. The guest list already reads like VF's famous Mortons party - Nicole Kidman, Ewan McGregor, Nicolas Cage, Meg Ryan, Gina Gershon, Val Kilmer, Chloë Sevigny. More and more films are being made in Canada, so it's about time our Northern friends partied like the movie mecca they are! And a revised version of The Brown Bunny will be shown at the festival with the sex scene intact. NYPOST |
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THE GIRL WITH
A THORN IN HER SIDE (an interview by Charlotte O'Sullivan) (Posted
September 1st, 2003)
 And
yet the truth is, it's not simply hardcore hipness that's made Sevigny
a legend; that's come about because, as if by magic, she's a gifted actress,
too. In person, as on film, she looks like a languid 18th-century fop.
Or Lana Turner in a circus mirror. Or (and this only sometimes) Brian
Connolly from the glam-rock band Sweet. What she adds to the androgynous
weirdness is warmth, and it's that fractured glow which has made her so
captivating in indie classics like Trees Lounge and julien donkey-boy
(another Korine collaboration) and most spectacularly Boys Don't Cry (for
which she was Oscar-nominated). The real-girl vibe also lights up Party
Monster. In one scene, her character Gitsie and Michael share a bath,
and blow bubbles, and pee, and laugh. Culkin, under Sevigny's spell, looks
like a weary child trying to crawl back into the womb. And, for a second,
we experience these flinty, frivolous junkies as utterly without "front".
Today, alas, Chloë herself is a little less relaxed. She wants to get
to the Hamptons this afternoon; she needs this photoshoot to be "speedy".
The hairdresser, Ashley, is the only person she seems tickled by. They
shoot the breeze, in a brutal sort of way. Sevigny admits with a guffaw
that while making Party Monster she had a crush on Justin Hagan, the actor
playing Freeze, aka Robert Riggs, who actually took a hammer to the drug
dealer's body. "Yeah, we had this flirting thing going on. You know, you
always have one crush on a film. But at the wrap party, when he was out
of character ..." she sighs, "it just wasn't the same". Ashley, it transpires,
knew the real-life Riggs. "My first crush! Typical me. I fall in love
with a guy and he ends up in prison for life!" Chloë cracks up at this.
This is her in style-icon mode. In 1994, before, Kids, Jay McInerney wrote
seven pages about her x-appeal in the New Yorker magazine: this 19-year-old
hung out with gay club kids, straight rave kids, white and black skateboarders
in Washington Square; all things, to all cool people. She even likes the
British, with their inferior teeth (she went out, for a while, with both
Jarvis Cocker and Paul "Dennis Pennis" Kaye). No wonder British magazines
like i-D and The Face love her.  They
move on to Christina Aguilera's slight weight gain (Chloe: "Oh yeah, she's
very juicy right now"), then bulimia (Chloe: "Hey, didn't you know a boy
puker?"), before trashing model Angela Lindvall ("When she does that expression
[Chloe, adopting spacey pout] I just wanna punch her in the mouth"). The
photographer tells them a story about the time he had to photograph a
very grumpy Jerry Hall. Sevigny's eyes narrow. "Maybe she had somewhere
she needed to be."  Finally,
the photographer gets what he wants and I'm left alone with Sevigny, back
in her normal clothes. Almost instantly she tucks her hair behind her
ears, and starts giggling (imagine a seal being thrown a fish, crossed
with Lady Bracknell undergoing a violent tickle). She's still talking
tough, but her manner has softened. Sevigny claims she's tired of being
indie-land's unworldly icon. Once upon a time, so rumour has it, she turned
down $500,000 to make a Hollywood comedy. Recently, she auditioned for
a Lancôme ad. She wants, she says, to move up a level, to become more
"commercially viable". For starters, she wants to get bigger roles (she's
signed up again with Lars von Trier, for the follow-up to Dogville, and
the next Woody Allen but, as she points out, as with Party Monster, these
are supporting roles). And she doesn't even want to see the sorts of films
critics rave about. She says that Party Monster didn't go down that well
at Sundance - "they praised American Splendor [a roll of the eyes] and
all that tortured stuff. I like Party Monster. I thought it was really
entertaining." Renée Zellweger, she continues, is someone who has made
wise choices. Like Chicago. Is she
serious? She and Harmony Korine were going to take on the world, and re-write
the language of cinema. I try not to sound stricken, but why this mad
rush to change? According to Sevigny, it was Korine who changed. When
she met him, she says, he was entirely "straight edge" - he didn't smoke,
didn't drink coffee, showered two times a day and spent all his time writing
and going to museums and "being inspired". But then he discovered drugs,
"and then slowly it all, um, fell apart. He was much less productive.
It just depleted him of so many things". She notes quietly that to her
the best thing about life is relationships with people, or being in love.
"But if you're a drug addict it seems like that's your only real love."
Addicts, she continues, generally aren't interested in sex. And surround
themselves with drug buddies, who they don't even like. "And people on
methadone," she says in a sing-song voice, "will forever be on methadone
..." I ask her if she was upset about Korine's increasing dependency or
whether she tried to stay laidback and she yelps, "No! I was judgmental,
because he was my boyfriend and I was in love with him and he was a drug
addict and it was a horrible thing to have to deal with. I mean, what
do you do about it? You know, the lies, and everything else." She takes
a breath. "I mean, I have friends now that I think have problems. But
I don't have anybody that close to me, so it's not as dire."  Korine
was never big on modesty. He once told a journalist that the more Chloë
worked with other directors, the less interested in her he became. But
over the years, his behaviour certainly got more eccentric. When not provoking
real-life fights and filming them (a project, alas, which resulted only
in massive hospital bills) he took to bad-mouthing other indie auteurs,
including Larry Clark, but also Vincent Gallo - coincidentally, an ex-flame
of Sevigny's. Gallo, being no slouch himself in the raving egomaniac department,
bad-mouthed him back. And took a few swipes at Chloë along the way. I
mention one slur, which suggested that she was a girl "from Connecticut,
without Etiquette, who when she's not drunk and posing in movies is busy
out spreading Harmony Korine's herpes". Sevigny looks abashed. "Well,
he's said worse about others." She seems to have a bit of a thing for
volatile men. Does she like confrontation? "No," she squeaks. "I try to
avoid it at all costs. But these men really enjoy hearing themselves speak
- they have a confidence that I'm lacking." She performs another of her
splutter-laughs. "I don't know - I don't know what I'm doing to myself.
What's the word - not self-destructive, but when you involve yourself
with people that you shouldn't ..." The one thing she has decided is that
she's never going to date a director again. "If I have a collaborative
relationship with another director, it's going to be with someone who's
gay!" She says, all worked up now, that directors are just too self-obsessed.
"People just hero-worship directors. They're the new rock stars. It's
so irritating!" I feel I should mention here that her new boyfriend, Matt
McAuley, is in a rock band, A.R.E. Weapons. The signs (vis-à-vis volatility)
aren't particularly good. In response to a critical review from The Village
Voice, he recently wrote an open letter to the journalist, suggesting:
"If you don't like us or our shows, don't fucking come to them." Matt,
like her, wants mainstream success - as Chloë says, "Being on the cover
of NME doesn't really matter. What you want is for people in Massachusets
to have heard of you." It turns out, however, that the band just got dropped
by their label, Rough Trade. "Actually," she muses, "they don't even have
a practice studio right now." That's the thing about this newly ambitious
woman; whatever else she says, she still seems drawn to the low-key and
lost.  She tells
me she's a practising Catholic, for instance, a stance that may seem all
of a piece with her decision to "go straight". Then she explains why,
having rebelled against the church as a teen growing up in ultra-conservative
suburb of Darien, Connecticut, she came back to the fold. In 1998, she
starred in a play, based on a true story, called Hazelwood Jr. High. Her
character was a Pentecostal killer. "I had to murder this girl every night
on stage, and you know, sodomise her and light her on fire and I got really
disturbed. I started like having nightmares and thinking horrible things."
Somewhat ironically, given that the character she was playing was intensely
religious, church came to provide "some sort of safe house". "Also ..."
she says, biting her lip, "I think because my father had passed away [he
died of cancer, in 1996], it was just sort of comforting. Receiving communion
makes me feel better about myself, for some reason. It makes me feel good."
 I'm about to joke
that she makes wafers sound like the perfect E. But don't, because I can
tell from her expression how seriously she takes this. "People always
say that you turn to the church in times of need, but it wasn't only that
- the hurting. It was more than that." In fact, she became so devout that
her Polish mother (Janine Sevigny, née Malinowski) began to fret. " She
said, 'Don't become one of those crazies.' But you know to be a good Catholic
is really just to be a good person. That's the core of it - to do unto
others ..." Having lost faith in Art (and Artists) - having seen the confidence
trick behind so much that claims to be "cutting edge" - Sevigny's clearly
looking for consolidation elsewhere. Perhaps it's her sense that time
is ticking away that gives her search for fulfilment a vaguely desperate
air. The burden of being almost 29 (her birthday's in November - "a Scorpio,
yeah!") is obviously weighing heavy. She talks about youth as if she were
100 years old, saying of Macaulay Culkin and (his then wife) Rachel Miner,
"The two of them together seemed very much in love. When you see people
like that, young people, you can't help going, 'Aahh!' " She wants to
have children before her late thirties. And wants to be able to support
them. "I want to own my own apartment, too." She points out her block,
which lies just outside Gramercy Park. "Only residents of the square have
the key to the park." Does she have a key? A twitch of irritation as she's
forced to repeat herself. "No. My apartment's just outside." The tape
in my machine clicks and Sevigny says, "Oh, my god, I really should go.
The friend I'm going to stay with has little kids and now I'm not going
to get there till nine ..." As a last question, I ask her what she thinks
she's good at. She looks panicked. "Um ... cleaning my house. I love cleaning.
I'd never have a cleaner. I wouldn't trust them to do it right."  "And
um ..." a huge explosion of the helpless giggles, "I think I'm a pretty
good actor." Then, as if by way of explanation, "I'm trying to have more
confidence in myself." But surely everyone knows she's a good actress.
"No, I don't think they do. 'Cos I don't think I've had the opportunities
to show that yet. Except for Boys Don't Cry. And this new film I've just
done, Three Needles, where I play a novice in South Africa, trying to
be a true missionary, working with all these people who have Aids. I'm
really excited about that." (Does it surprise you to learn that one of
her favourite Woody Allen movies is Alice, "superficial uptown girl drinks
a potion and ends up working in Calcutta with Mother Teresa." Yeah, that's
such an interesting story.) Sevigny can't decide if she has a right to
a life of privilege and ease; and even for an onlooker, it's hard to know
which side to root for. You don't really want her to end up in Calcutta.
Or chained to a boorish guru. But nor is the idea of her morphing into
a Hollywood siren particularly appealing. I'm sure she could make it if
she tried hard enough - there are lots of funny-looking golden girls (Zellweger
herself, when you think about it, isn't a conventional cutie-pie) and
Sevigny is more than talented enough to skip between genres. But it would
be so spooky, to see her in a rom-com, flirting with Matthew McConaughey,
say. What you really want for Sevigny is for her to find something in
between. Extraordinary-ordinary actresses are thin on the ground. Reese
Witherspoon seems to have been spirited away into the plastic-fantastic
realm of fame, while Sarah Polley has all but disappeared from view. Samantha
Morton is probably one of the few mature youngsters still fighting her
corner. We need Chloe.  The
interview over Sevigny dashes off to "the little girl's room", then emerges,
with a frown. "It just keeps flushing - that's such a waste of water."
Another thought occurs, and she rushes over to switch off the air conditioning
("I mean we should, if no one's in the room ...") She finds a maid, tells
her about the toilet, walks with me to the hotel entrance, kisses me goodbye
and says, "Maybe we can meet up [pause] when I'm in London." Then, murmuring,
"I am going to be sooo late," she dashes off in the direction of home.
Harmony Korine once said of Sevigny that she was a "good girl". At the
time, as a summing up, it sounded a little patronising, dismissive even.
I think I'm beginning to understand what he meant. 'Party Monster'
is released on 26 September |
|
SILVER
LAKE FILM FESTIVAL 2003 ANNOUNCES OPENING NIGHT GALA (Posted
August 31st, 2003) American Premiere of Olivier Assaya’s demonlover Wednesday, September 10, 2003, 7pm (buy tickets) Reception to follow at historic El Cid restaurant. The Silver Lake Film Festival kicks off its fourth annual festival with an Opening Night presentation of French film demonlover, written and directed by Olivier Assaya, on Wednesday, Sept. 10 at 7 pm . The Opening Night Gala party will follow immediately afterward at the historic El Cid restaurant in Silver Lake, formerly the site of D. W. Griffith’s studio. Starring Connie Nielsen, Chloë Sevigny, Gina Gershon and Charles Berling , the film features an original score by Sonic Youth. A thought-provoking radical essay on the matrix of art, life and virtual reality that deliberately toys with narrative conventions, demonlover will open through Palm Pictures in New York and Los Angeles on September 19, followed by a national roll-out. Since its world premiere in competition at the 2002 Cannes Film Festival, the film has been edited by 12 minutes with a remixed soundtrack for theatrical release. demonlover is Olivier Assayas' breathtaking vision of our spectacle-driven modern global society. On the surface, the film follows Diane (Connie Nielsen), a corporate mole who, in trying to undermine a deal between two multinational conglomerates,uncovers a link between one of the companies and an interactive torture Web site known as "The Hellfire Club." However, she is challenged every step of the way by her amoral colleague (Charles Berling), an antagonistic and mysterious assistant (Chloë Sevigny) and an outspoken, pot-smoking American executive (Gina Gershon). Brilliantly shot by Denis Lenoir (who previously collaborated with Assayas on films such as LATE AUGUST, EARLY SEPTEMBER and COLD WATER), the film captures a culture spiraling out of control in which reality is posited as a video game and where every twist escalates the film to a new level. The film has already met with critical acclaim. “Singular and provocative… Sinister… Chloë Sevigny in one of her rangiest roles” --Stephen Holden of The New York Times. “ Grade A. demonlover is a brilliant , stunning piece of work. The drama is bold and provocative, the images hard and disturbing, and the characters are riveting,”-- Sean Axemaker, Seattle Post Intelligencer. “ A puzzling head trip. A gorgeously fashioned meditation on life in the postmodern slipstream featuring three 21st century amazons in Connie Nielsen, Chloë Sevigny and Gina Gershon,”-- Ty Burr, Boston Globe |
| Woody
Allen's new untitled pic at Fox Searchlight (Posted August 19th, 2003) Looks like Chloë is entering into the bigger leagues!!! Woody Allen is busy casting a new, untitled film at Fox Searchlight, and Chloë Sevigny is in negotiations to join the cast. As usual with a Woody Allen film, no details about the plot have been revealed, but if all goes as planned, Sevigny will star with Winona Ryder and Robert Downey, Jr, The film is part of a one picture deal with Fox Searchlight and represents the first time in a decade that all worldwide territories on an Allen film will be handled by one company. Allen's last four movies, which included Small Time Crooks, Curse of the Jade Scorpion, Hollywood Ending and the soon to be released Anything Else, had DreamWorks involved by partially backing and distributing the films domestically. Sevigny is represented in the Allen deal by Endeavor and Brillstein-Grey. |
|
| Party
Monster premier at Edinburgh’s Film Festival (Posted
August 19th, 2003) Macaulay Culkin’s new movie is set to premier in the UK at Edinburgh’s Film Festival this month. Party Monster, will receive its premiere on the 22nd August at the festival, after touring the world’s major gay and straight film festivals. The film tells the story of Michael Alig (Culkin) and his friend and lover James St James (Seth Green), stars of the late 1980s New York underground club scene, and charts their eccentric rise and slow demise, ending with Alig murdering a drug dealing friend. The film also stars Kids star Chloë Sevigny and Marilyn Manson, and has received wide spread acclaim for its performances. It is based on the book Disco Bloodbath, written by St James, which charts the friendship he shared with Alig before the hedonism of the 80s led to his breakdown. |
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|
Toronto
International Film Festival (Posted
August 19th, 2003) Toronto film fest unveils lineup. Barring a rain of frogs or a plague of locusts, the 28th annual Toronto International Film Festival is "good to go," Michelle Maheu, managing director of the Festival Group, declared on Tuesday. Organizers admit there were some doubts in recent months as to what kind a festival it was going to be, in the wake of the SARS outbreak and then last week's major power outage. But in unveiling the final program lineup for Sept. 4-13, director Piers Handling was optimistic that it was going to be a festival to be proud of. Handling said health workers in Canada had done an incredible job on the SARS front, and he didn't think there was going to be any problem with power for the projectors when the festival itself begins The festival will present 336 films from 55 countries, including 252 features, most of them either world or North American premieres. The closing night gala — usually lighter fare to send patrons home on a happy note — will be Danny Deckchair, an Australian film and the directorial debut of Jeff Balsmeyer. It's the story of a downtrodden Sydney cement truck driver named Danny (Rhys Ifans) who tries to escape his suburban life by launching into the skies on a garden chair tied to helium balloons. The news conference also included the traditional test of Handling's breath control as he listed all the celebrities who plan to attend. They include: Francis Ford Coppola, Nicolas Cage, Joel Schumacher, Jonathan Demme, Neil Young, Robert Altman, Gary Sinise, Jack Black, Jennifer Jason-Leigh, Oliver Platt, Darryl Hannah, Marcia Gay Harden, Sarah Polley, Val Kilmer, Dan Aykroyd, Katie Holmes, Jerry Bruckheimer, Chloë Sevigny, Dylan McDermott, Ridley Scott, Anthony Hopkins, Woody Harrelson, Kate Beckinsale, Miranda Richardson, Meg Ryan, Benicio del Toro, Robert Downey Jr., Sean Penn, Omar Sharif, Cate Blanchett, Parker Posey, Tim Robbins, Denzel Washington and Nicole Kidman. |
|
OUTFEST 2003 (Posted July
9th, 2003) |
| IFC Rant Magazine Returns to Newsstands
(Posted July 5th, 2003) With the new tagline, "As independent as you want to be," IFC Rant magazine returned to newsstands on June 23. The revamped bimonthly, published as a joint venture by the Independent Film Channel and Indiewire.com, will feature a new logo and design, as well as a more consumer friendly look. Indiewire.com will continue to create all editorial content for the magazine. Featured on the cover of the July/August issue is Oscar and Golden Globe-nominated actress Chloë Sevigny ("Boys Don¹t Cry"). Sevigny discusses her role in Vincent Gallo's much hyped and controversial film, "Brown Bunny," which premiered at Cannes in May, to some of the festival's worst reviews ever. "He's having a fantasy about me, and I perform the deed on him," Sevigny says in the article, referring to the film's extended oral sex scene. "I'm afraid people are going to get the wrong idea about it. It's very tender and it's not gratuitous. He's a great actor and a great filmmaker, I knew it would be well done. I've known him since I was 17...we were intimate when I was younger a little bit, so I feel so comfortable with him. I could trust him 100 percent." ...here is the entire artcle... |
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|
A.R.E.
Weapons (Posted July
5th, 2003) McPeck on guitar, Matt McAuley on vocals, and Paul Sevigny, brother of actress Chloë Sevigny, as a multi-instrumentalist and the band's manager—are among the hottest of the new crop of NYC bands, along with the Yeah Yeah Yeahs, Interpol and the Liars, following in the wake of the Strokes' success a couple of years ago. Their version of the new downtown electroclash sound—heavy guitars, clinky dance beats and tinkly Casio keyboards—is a violent combination of heavy metal and dance music, part dumb rock anthems and part art-damaged noise rock. So far, they've had only limited experience playing outside of New York. They've never toured for more than two weeks at a time, playing mostly in East Coast cities, with short tours of the West Coast, Australia, Europe and Canada. As with any new band, the response has been mixed (except in Europe, where they won the support of Pulp frontman Jarvis Cocker, who persuaded executives at Rough Trade to release the new album). Click here to see more about the band. |
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| Invasion
of the Freedom Snatchers (Posted July 5th, 2003) A star studded documentary about independent film making, evil space alien CEOs in the White House, and the search for the soul of America. Chloë is in it. It will be released October 28, 2003. Here is the Offical Website: http://www.invasionofthefreedomsnatchers.com/ |
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 | DEATH OF A DYNASTY (Posted September 23rd, 2002) Chloë will make a cameo appearance in the film "Death of a Dynasty". Directed by her pal Damon Dash (a hip hop mogul), actors Capone and Rob Stapleton play characters modeled after Dash and Jay-Z. The satire has the two tricking a jounalist into believing they hate each other. Chloë will make a cameo in the film along with other Dash pals like Run-D.M.C and The Sopranos' Jamie-Lynn Sigler. (more info) |
 | Eternal Sunshine of the Spotless Mind
(Posted September 23rd, 2002) Carrey will dive deep into the human mind’s kinky recesses in his next film penned by Being John Malkovich scribe, the Oscar-nominated Charlie Kaufman. With a title that fairly trips off the tongue, Eternal Sunshine of the Spotless Mind, the film is rumoured also to feature our own Chloë Sevigny in a storyline played out in the mind of a man obsessed with memories of a particularly steamy relationship. That'll be Chloë naked again, then. |
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| Kinnear Leaves 'Shattered Glass' Greg Kinnear has backed out of Billy Ray's "Shattered Glass" and has been replaced by Peter Sarsgaard ("Boys Don't Cry"). According to trade sources, scheduling conflicts with promotion related to Kinnear's next movie "Auto Focus" is behind the decision. Tom Cruise and Paula Wagner's C/W Productions and Baumgarten-Merims is producing "Shattered Glass" which is based on the true story of 25- year-old magazine writer Stephen Glass (played by Hayden Christensen), who was considered one of Washington D.C.'s top investigative reporters until he was shown to be a fraud. Glass' byline has appeared in a numbers of publications; from Rolling Stone to Esquire until he landed a staff position at The New Republic at the young age of 22. When the magazine's perceptive managing editor, Chuck Lane, noticed some inconsistencies in Glass' articles, he began paying closer attention to the young reporter's research. At one point he even had Glass drive him along the route the writer supposedly took to meet one of his anonymous sources. In the end it was discovered that of the 41 stories Glass wrote for the publication, 27 contained fabricated quotes and sources. A few of the stories were completely made-up as well. Saarsgard will play Lane. Other cast members include Steve Zahn, Chloë Sevigny, and Jake Gyllenhaal. |
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